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	<title>HughCurtiss.com &#187; 2008 &#187; September</title>
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	<link>http://hughcurtiss.com</link>
	<description>I am Hugh Curtiss, a business, organisational and spiritual consultant. I love capitalists and politicians. After years behind the scenes, I am dabbling in wider debate. Do join me.</description>
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		<title>Damien Hirst: From formaldehyde to golden hooves</title>
		<link>http://hughcurtiss.com/2008/09/damien-hirst-from-formaldehyde-to-golden-hooves/</link>
		<comments>http://hughcurtiss.com/2008/09/damien-hirst-from-formaldehyde-to-golden-hooves/#comments</comments>
		<pubDate>Tue, 16 Sep 2008 13:09:17 +0000</pubDate>
		<dc:creator>HC</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Controversies]]></category>
		<category><![CDATA[Ethics]]></category>

		<guid isPermaLink="false">http://hughcurtiss.com/?p=30</guid>
		<description><![CDATA[How delicious that Damien Hirst has cleaned up even as the media tell us that it&#8217;s all up for over-weaning capitalist thugs &#8211; his customers. What&#8217;s truly miraculous is that the art magnate and entrepreneur manages to come across as cheerfully demotic and populist as he rakes in the lucre. What we sense, of course, is [...]]]></description>
			<content:encoded><![CDATA[<p>How delicious that Damien Hirst has cleaned up even as the media tell us that it&#8217;s all up for over-weaning capitalist thugs &#8211; his customers. What&#8217;s truly miraculous is that the art magnate and entrepreneur manages to come across as cheerfully demotic and populist as he rakes in the lucre. What we sense, of course, is that Hirst&#8217;s work is an essay in shock-value. He plays games with what offends us and the value we will place on things. Skulls and diamonds, and stuffed calves and gold leaf, are the ideal art objects for a period of capitalist hiatus. These bad times are perfect times for Hirst&#8217;s art and its value.<span id="more-30"></span></p>
<p>It&#8217;s an abiding mystery that the very rich don&#8217;t feel the pinches that the ordinary rich do. Sunseeker, the yachtmaker, said the other day that their multi-million speedboats were keeping the business afloat even as the bottom end of their market was feeling the pinch. There will always be plenty of multi-millionaires to buy Hirst, even in the depth of a recession.</p>
<p>In Hirts&#8217;s case, we have all the conundrums that art always presents. After all, we have no idea whether his pieces will grow more valuable as works of art, or be stripped down for whatever their raw materials are worth. In short, his works may be thought risible quite soon. Or not.</p>
<p>Then there&#8217;s the intriguing business of what Hirst will do with his loot. He might just become an ordinarily rich person. But it is just as likely that his wealth will be folded back to us all as his audience. Perhaps he&#8217;ll start a gallery or a foundation. Whatever.</p>
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		<title>Scams, recessions, crunches and bubbles</title>
		<link>http://hughcurtiss.com/2008/09/scams-recessions-crunches-and-bubbles/</link>
		<comments>http://hughcurtiss.com/2008/09/scams-recessions-crunches-and-bubbles/#comments</comments>
		<pubDate>Thu, 11 Sep 2008 10:59:56 +0000</pubDate>
		<dc:creator>HC</dc:creator>
				<category><![CDATA['Good Business']]></category>
		<category><![CDATA['In the news...']]></category>
		<category><![CDATA[Controversies]]></category>
		<category><![CDATA[Ethics]]></category>

		<guid isPermaLink="false">http://hughcurtiss.com/?p=29</guid>
		<description><![CDATA[Evan Davis, BBC Radio 4&#8217;s new hip voice of reason, has been introducing slugs of writing about money crises for BBC Radio 4&#8217;s latest book &#8211; in this case, &#8220;books&#8221; &#8211; of the week. There is a mistake (a category error) lurking in his efforts. The show confuses different sorts of crisis in quite an [...]]]></description>
			<content:encoded><![CDATA[<p>Evan Davis, BBC Radio 4&#8217;s new hip voice of reason, has been introducing slugs of writing about money crises for BBC Radio 4&#8217;s latest book &#8211; in this case, &#8220;books&#8221; &#8211; of the week. There is a mistake (a category error) lurking in his efforts. The show confuses different sorts of crisis in quite an important way.<span id="more-29"></span></p>
<p>Roughly speaking, the problem is this. Capitalism is prone to bubbles, but they really do differ in degree and kind.</p>
<p>Here&#8217;s a morphology.</p>
<p>(1) Stock Bubbles<br />
At their most pure (The South Sea Bubble, the 1717 Mississippi Company), these are stock schemes in which there is no actual economic activity. But these readily get confused with, say, the 1990s Internet Bubble &#8211; in which there probably was a real business. Greed and irrationality underlies bubbles, but at least in the Internet case, people were aware that something big and real was happening. Tulipmania sits somewhere between the two, as does the art market. Will Damien Hirst&#8217;s productions get melted down for their gold?</p>
<p>(2) New instruments<br />
John Law, who was behind the Mississippi Company, also came a cropper when he tried to engineer a new currency for France. But he wasn&#8217;t operating as a crook when he did the latter: he was inventing new approaches to currency and was &#8211; hardly surprisingly &#8211; out of his depth. </p>
<p>This is a little like the muddle modern banking has got into as it recently sliced and diced sub-prime debt.</p>
<p>Indeed, many of these dramas turn out to be schemes which are crucial to capitalism&#8217;s future &#8211; it&#8217;s just that the pioneers don&#8217;t post large enough warnings as to the riskiness of innovation.</p>
<p>(3) Straight frauds<br />
Some bubbles and some new instruments are introduced as straight frauds, or as screens behind which straight frauds can be perpetrated. Thus, Enron&#8217;s crime was very like the fraud perpetrated by Jabez Balfour in the late 19th Century. Enron was playing with energy futures and other devices which few people understood, just as Jabez was playing with new schemes for insurance and housing.</p>
<p>Enron and Jabez were developing schemes which in non-criminal hands would turn out to be valuable.</p>
<p><strong>In conclusion&#8230;.</strong>.<br />
Many capitalist pioneers turn out to be crooks. Or, many crooks turn out to be pioneers. It&#8217;s spotting the difference which makes for entertainment. </p>
<p>Anyway, there are no signs of crookedness in the present crisis. Regulators encouraged bankers to get careless as they invented new wheezes. The bankers overdid it. The bubble burst. </p>
<p><strong>The books excerpted in the R4 series</strong><br />
The Science of Getting Rich by Wallace D Wattles<br />
The Moneymaker by Janet Gleeson<br />
Little Dorritt by Charles Dickens<br />
Liar’s Poker by Michael Lewis<br />
When Genius Failed by Roger Lowenstein<br />
Metamorphoses XI by Ovid <br />
Tulipmania by Anne Goldgar<br />
The Bonfire of the Vanities by Tom Wolfe<br />
The Reformation of Manners by Daniel Defoe<br />
The Great Crash 1929 by John Kenneth Galbraith<br />
The South Sea Bubble by John Carswell<br />
Tulipmania by Anne Goldgar<br />
The South Sea Bubble by John Carswell<br />
Extraordinary Popular Delusions by Charles Mackay<br />
The Age of Turbulence by Alan Greenspan<br />
A Short History of Financial Euphoria by John Kenneth Galbraith</p>
<p>I would add:</p>
<p>Millionaire: The philandere, gambler and duelist who invented modern finance, by janet Gleeson<br />
Jabez by David McKie</p>
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		<title>Lessons from &#8220;The Ouzo&#8221;</title>
		<link>http://hughcurtiss.com/2008/09/lessons-from-the-ouzo/</link>
		<comments>http://hughcurtiss.com/2008/09/lessons-from-the-ouzo/#comments</comments>
		<pubDate>Wed, 10 Sep 2008 11:13:05 +0000</pubDate>
		<dc:creator>HC</dc:creator>
				<category><![CDATA[Boats]]></category>

		<guid isPermaLink="false">http://hughcurtiss.com/?p=28</guid>
		<description><![CDATA[I am such a cowardly and careless yachtsman &#8211; and so prone to panic &#8211; that I am a little nervous about seeming to criticise the crew of The Ouzo, a small sailing yacht which vanished with all hands on a night passage off the Isle of Wight in August 2006. It was an intensely [...]]]></description>
			<content:encoded><![CDATA[<p>I am such a cowardly and careless yachtsman &#8211; and so prone to panic &#8211; that I am a little nervous about seeming to criticise the crew of <em>The Ouzo</em>, a small sailing yacht which vanished with all hands on a night passage off the Isle of Wight in August 2006. It was an intensely dramatic story. I have been revved-up by a very good piece in the <a title="FT on The Ouzo" href="http://us.ft.com/ftgateway/superpage.ft?news_id=fto082220081227126702&amp;page=1" target="_blank">FT Saturday magazine</a>. It seems a tad timid.<span id="more-28"></span></p>
<p>When the bodies of her crew were found floating off the island, it was never seemed likely that <em>The Ouzo</em> just sank of her own accord. It turned out that the regular run of a P&amp;O ferry, the <em>Pride of Bilba</em>o, took it to the very near vicinity at the probable time of the accident, whatever it was.There is much speculation as to whether it was involved. In the ensuing inquiries and court cases, the bridge officers of the ferry were accused of being less than thorough and thoughtful in their response to what they admit was a close encounter with a yacht (which they claimed to believe had probably passed safely by). One officer was tried for manslaughter and aquitted.</p>
<p>Oddly perhaps, I find my sympathies going to the crew of the ferry. Of course the families of the yacht&#8217;s crew have suffered a terrible loss. And the ferry&#8217;s officers may not have behaved brilliantly. I am emboldenedin my view partly because I have often been on the <em>Pride of Bilbao</em> and anyway feel a quite undeserved connection with people who make their living on the sea.</p>
<p>By default, not liking to criticise the <em>Ouzo</em>&#8217;s crew leaves the blame to drift inexorably to the larger ship. This seems a little unfair.</p>
<p>I am also drawn to the wide range of technological solutions available to yachtsmen as they take their cockleshells out into commercial waters. Here are some of the devices and tricks which would have diminished the chances of such an accident happening being fatal (in no particular order):</p>
<p>(a) Stay out of shipping lanes at night;<br />
(b) When a ship is near, shine a beam alternately at the sails and the ship&#8217;s bridge;<br />
(c) Have an AIS ship-ID and course-plotting radio (£500);<br />
(d) Have a watertight radio receiver and transmitter to hand;<br />
(e) Have a watertight mobile phone to hand (£16 sachet);<br />
(f) Wear a crotch-strap on one&#8217;s life jacket;<br />
(g) Have a strong watertight cockpit door and shut it;<br />
(h) Have an emergency position transmitter on one&#8217;s lifejacket;<br />
(i) Fit an active radar signal enhancer (£500). </p>
<p>So far as I can see, a small selection of these items (culled from sailing blogs) would have been very helpful.</p>
<p>I shall now go and do some of my very timid Mediterranean sailing, and probably cock it up.</p>
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